Thomas
Cole lived and maintained a studio
at 218 Spring Street, Catskill, barely a mile from the location where
he painted this scene (and other views of the Wall of Manitou).
Today, his vantage point would be in Jefferson Heights overlooking the
area of the river known as Jefferson Flats. As one ascends to the Heights
on Route 23 out of the City of Catskill, the unmistakable vista that
Cole saw over 150 years ago is still very much visible.
Art historian
Alan Wallach, an authority on Cole and on this painting, cautions
about finding the exact spot Cole used.
Cole
often rearranged the visual facts of the views he painted--a common
practice at the time--so I wouldn't take this painting of the view...as
literal, or rather visual fact.
To
the right of center of the painting is the VanVechten home, a 1690 stone
house hugged by the right of way of the C & C. Imagine that even
in the 1840's, the VanVechten house was considered to be ancient. The
C&C road, later built on by the Catskill Mountain Railway, is still
very much in evidence between the Second Bridge and this historic site.
The bridge
in the scene (referred to in Beach's original survey) was Second Bridge
over the Catskill. It is described as being a Town lattice style bridge,
a design named after Ithiel Town, patent holder for this type
of truss.
The
stone bridge piers of a later Second Bridge (constructed in 1882 by
the Catskill Mountain Railway) still stand in the river. A fill carries
the roadbed 500 feet across the muddy flats to the natural grade of
the area which begins on the VanVechten property.
|